{"id":11027,"date":"2020-07-24T17:36:33","date_gmt":"2020-07-24T16:36:33","guid":{"rendered":"https:\/\/www.guildford-shakespeare-company.co.uk\/?page_id=11027"},"modified":"2021-01-12T15:04:28","modified_gmt":"2021-01-12T15:04:28","slug":"richard-iii-2012","status":"publish","type":"page","link":"https:\/\/www.guildford-shakespeare-company.co.uk\/richard-iii-2012\/","title":{"rendered":"Richard III 2012"},"content":{"rendered":"
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\n\t\t\t\t\t\tRICHARD III 2012\t\t\t\t\t\t<\/h1>\n\t\t\t\t\t\t\t\t\t\t\t
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10 - 25 February<\/span><\/h2>\n

\"Richard<\/p>\n<\/div>\n<\/div><\/div><\/div>

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\"\"\"\"<\/em><\/strong>\"\"<\/em><\/strong>\"\"<\/em><\/strong>\"\"<\/p>\n

\"a truly invigorating experience\" <\/em><\/strong>The Public Reviews<\/p>\n

The start of Olympic year saw us tackle our first of Shakespeare\u2019s history plays \u2013 Richard III<\/em>. Director Caroline Devlin and Designer Neil Irish embraced the drama of the 15<\/span>th<\/span> century The Wars of the Roses with a modern grunge angle \u2013 fur coats and jewellery and debauched revelling clashed with crowns, swords and gauntlets.<\/span><\/p>\n

Our staging in Holy Trinity Church saw our largest installation to date with flying gantries over the choir stalls and set of steps leading up to the pulpit\/throne that bled. The final climactic Battle of Bosworth took place in and around the audience as well as on stage.<\/span><\/p>\n

We also had a visit from best-selling historian Alison Weir who gave a post-matinee talk about Richard and the Princes in the Tower.<\/span><\/p>\n

\"brilliantly inventive and superbly effective\"<\/b><\/em> British Theatre Guide<\/span><\/a><\/i><\/p>\n

\"chilling\u201d <\/b><\/em>The Shakespeare Revue<\/span><\/p>\n

 <\/p>\n<\/div>\n<\/div><\/div><\/div>

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COMPANY<\/h2>\n

RICHARD<\/strong> Timothy Allsop<\/span><\/p>\n

KING EDWARD IV\/SIR WILLIAM\u00a0CATESBY\/BRACKENBURY<\/strong> Robert Maskell<\/span><\/p>\n

PRINCE EDWARD<\/strong>\u00a0Oliver Church<\/span><\/p>\n

DUKE OF\u00a0YORK<\/strong>\u00a0Annabel Brook<\/span><\/p>\n

DUKE OF CLARENCE\/LORD STANLEY<\/strong>\u00a0Matt Pinches<\/span><\/p>\n

LORD HASTINGS\/JAMES TYRELL\/SIR JAMES BLUNT<\/strong>\u00a0James Sobol Kelly<\/span><\/p>\n

DUKE OF BUCKINGHAM<\/strong> James Chalmers<\/span><\/p>\n

LORD MAYOR\/LORD RIVERS\/EARL OF\u00a0RICHMOND<\/strong>\u00a0Ben Ashton<\/span><\/p>\n

QUEEN ELIZABETH<\/strong>\u00a0Johanne Murdock<\/span><\/p>\n

LORD\u00a0GREY<\/strong>\u00a0Kieran E. Sims<\/span><\/p>\n

MARQUIS OF DORSET<\/strong>\u00a0Joe Sanders<\/span><\/p>\n

SIR THOMAS\u00a0VAUGHAN<\/strong> George Naylor<\/span><\/p>\n

QUEEN MARGARET<\/strong> Paddy Glynn<\/span><\/p>\n

LADY ANNE<\/strong>\u00a0<\/span>Augustina Seymour<\/span><\/p>\n

2 MURDERERS <\/strong>Ben Ashton, James Sobol Kelly<\/span><\/p>\n

ENSEMBLE<\/b><\/p>\n

Louise Best,<\/span> Fiona Cuskelly,<\/span> Claudia Knight,<\/span><\/p>\n

George Naylor,<\/span> Joe Sanders,<\/span> Kieran E.Sims<\/span><\/p>\n

ARTISTIC TEAM<\/strong><\/h2>\n

Director<\/strong> Caroline Devlin<\/span><\/p>\n

Designer<\/strong> Neil Irish<\/span><\/p>\n

Lighting Designer<\/strong> Declan Randall<\/span><\/p>\n

Sound Designer<\/strong> Matt Eaton<\/span><\/p>\n

Fight Director <\/strong>Philip d\u2019Orl\u00e9ans<\/span><\/p>\n

Movement Director<\/strong> Aidan Treays<\/span><\/p>\n

Verse & Vocal Coach<\/strong> Sarah Stephenson<\/span><\/p>\n

Assistant Designer<\/strong> Sarah Bacon<\/span><\/p>\n

Production Manager<\/strong> Olivia Dermott-Walsh<\/span><\/p>\n

DSM<\/strong> Beth Sweeney<\/span><\/p>\n

ASM<\/strong> Genna Hill<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>

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10 – 25 February “a truly invigorating experience” The Public Reviews The start of Olympic year saw us tackle our […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page_front-page.php","meta":{"footnotes":""},"yoast_head":"\nRichard III 2012 - Guildford Shakespeare Company<\/title>\n<meta name=\"description\" content=\"Guildford Shakespeare Company's production of Richard III embraced the drama of the 15th century The Wars of the Roses with a modern grunge element.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.guildford-shakespeare-company.co.uk\/richard-iii-2012\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Richard III 2012 - Guildford Shakespeare Company\" \/>\n<meta property=\"og:description\" content=\"Guildford Shakespeare Company's production of Richard III embraced the drama of the 15th century The Wars of the Roses with a modern grunge element.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.guildford-shakespeare-company.co.uk\/richard-iii-2012\/\" \/>\n<meta property=\"og:site_name\" content=\"Guildford Shakespeare Company\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/business.facebook.com\/GuildfordBard\/?business_id=2047874588785087\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-12T15:04:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.guildford-shakespeare-company.co.uk\/wp-content\/uploads\/2020\/07\/Richard-III_087-1024x681.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@GuildfordBard\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.guildford-shakespeare-company.co.uk\/richard-iii-2012\/\",\"url\":\"https:\/\/www.guildford-shakespeare-company.co.uk\/richard-iii-2012\/\",\"name\":\"Richard III 2012 - 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